Braiding Time, Memory and Water

By Sue Schroeder with Jonathon Keats and Felipe Pérez Santiago

Presented by Flux Projects in collaboration with Core Dance

Braiding Time, Memory and Water is a site-specific interactive dance performance by Sue Schroeder in collaboration with conceptual artist Jonathon Keats and composer Felipe Pérez Santiago.  The performance responds to the geography, history, and environmental concerns of two locations along the Chattahoochee River: Powers Island, one of the most serene places within the Chattahoochee River National Recreation Area, and Zonolite Park, a secluded 13-acre nature sanctuary along the Southfork of Peachtree Creek, a tributary of the Chattahoochee River.

At both Powers Island (Oct. 2025) and Zonolite Park (April 2025), an ensemble of dance artists and percussionists will follow the braiding paths of the river as it naturally flows, enlisting the river as a participant.  Since the water’s composition is inscribed in the land through its ongoing passage, the river will act as a natural timekeeper and a collaborator in the performances. Ambient sound integrated into a larger sound composition will further nature’s collaboration in the work.

Braiding Time, Memory and Waters animates a rhythm, individually and collectively of reconnecting to nature by coming back to the water (in particular the river) as a natural timekeeper.  Simultaneously, the work offers opportunities and experiences to question, discuss, debate, and take action in response to long-term changes in the dynamics of rivers.  The hope is a deeper understanding of the natural cycles in nature will encourage us to seek and find solutions to safeguard and nurture our environment.

Designed within the structure of a community-based residency, Braiding Time, Memory and Water aims to build community across seemingly disparate groups, specifically employing art to create a sense of shared stakes in critical issues related to the earth, its waters, and its people/us.  Issues issues facing the Chattahoochee River include stormwater and wastewater pollution, increased water consumption, and landscape changes that interrupt natural flow patterns.

Community Activities at Powers Island Trail (1pm and 3:30pm) include:

• Instrument Making
• Scavenger Hunts in Nature
• Ropemaking
• Nature Walking Meditation
• Children’s Story Time
• Learn more here.

Through the cross-fertilization of diverse artists, activists, experts, students and the public, the community-based residency serves as a creative catalyst and meeting place for artists with curiosity and interest in cultivating contemporary art-making for intentional community experience and inclusion. At the heart of Braiding Time, Memory and Water is advocacy for access to nature for all and support of creators of art that advocate on behalf of nature.

Braiding Time, Memory and Water is a collective performance experience built in publicly accessible locations. The hope is people feel represented and reassured nature is a place for them to experience, and in doing so, the project speaks to the artists/creators’ goal of raising awareness for environmental justice issues for all people and the planet to thrive.

Photo by Simon Gentry

ACCESSIBILITY: This performance takes place in a riverside forest that is part of the National Park Service (NPS), and the site can have varying terrain.  NPS has made every effort to make the location ADA Accessible, including parking, paths, and restrooms.

FLOW

Braiding Time, Memory and Water is part of FLOW, a multi-year series designed to explore Atlanta’s history with water, how it has shaped our city and the potential it holds for our future. FLOW engages issues of conservation, equity, and urban design through installations and performances around the city.

About the Artist

In over 40 years of work in the arts, Sue Schroeder has created more than 110 original dance
works for theaters, museums, green spaces, architectural works, and water environments.  Her 
work has appeared throughout the United States, as well as Mexico, Israel, France, Germany,
 Poland, Georgia, Slovenia, Czech Republic, Iceland, United Kingdom, Sweden, Canada,
 Guatemala, and Hungary.  Schroeder’s multidisciplinary vision has led to collaborations with
major voices in dance, music, spoken word, visual arts and design.

Additionally, Schroeder is recognized as a leading arts activist and mentor and the founding
 artistic director of Core Dance.  As a contemporary artist and dance maker, Schroeder focuses
 on the creative process, movement research, exploration, and dance-making as a catalyst for social change.

Under the umbrella of Core Dance, Schroeder facilitated the creation of DanceATL, a dance
 service organization that nurtures and promotes dance as a vibrant part of Atlanta’s arts
 ecosystem.  DanceATL connects artists to resources, grows and engages audiences in the city,
 and supports the full range of the industry by cultivating an awareness and appreciation of
 dance that is sustainable and expansive.

Schroeder holds a Bachelor of Arts from the University of Houston and earned her Master of
 Fine Arts in Theater Arts with a dance and anthropology concentration from the University of
 Arizona at Tucson.  Educated under dance greats Bill Evans, Hanya Holm, Oliver Kostock, Anna
 Halprin, Isa Bergsohn and John M. Wilson, she holds certifications throughout the U.S. as a
 Teaching Artist and is a founding member of the Teacher Training Institute (TTI), a training
 program established to develop best practices to teach dance and kinetic learning in
community-based settings.

About Shroeder’s Collaborators

Jonathon Keats is an environmental artist and experimental philosopher whose work focuses on the biosphere and our relationship with nonhuman beings and living systems. Over the past couple decades, his site-specific artwork has deepened people’s connections with critical ecosystems ranging from the Sonoran Desert to the Alaskan tundra, often through installations that explore the changing climate in relation to deep time. As an artist, Keats has exhibited and lectured at dozens of institutions worldwide, from the Los Angeles County Museum of Art to Stanford University to the Triennale di Milano, and from SXSW to CERN to UNESCO.

Felipe Pérez Santiago is a Mexican composer whose music has been commissioned and performed in more than 40 countries and included in more than 30 discographic productions worldwide including orchestral pieces, operas, chamber music, solo pieces, electronic works, and music for films, dance, video, and multimedia installations. In 2023, he was appointed as Cultural Ambassador of the “Global Network of Learning Cities” by UNESCO for his work with children and youth orchestras.

See Also

Atlanta Magazine Fall Arts Preview